‘Still with that stoop-shouldered fucker, is she?’

‘Seems so.’

‘What did she want?’

‘A divorce.’

Abel looked at Hollis long and hard, weighing the news. ‘What did you say?’

‘What could I say?’

‘Knowing you—“Come back, dear, all is forgiven.”’

‘I said yes.’

‘You didn’t?’

Hollis nodded.

‘I’m trying not to smile.’

‘I can see that.’

‘Good on you, Tom,’ beamed Abel, raising his glass in a salute. ‘To the stoop-shouldered fucker. May he soon come to know that your loss is not his gain.’

The gentleman in question was a New Jersey artist of Scottish extraction, a competent watercolorist who had summered in East Hampton the previous year at a boarding house on Accabonac Road. Hollis had no idea how Lydia had come to meet Joe McBride. He didn’t wish to know. It pained him to think of the numerous liaisons the pair had doubtless contrived behind his back; and it still puzzled him that he hadn’t read the signs, the clues, he of all people. Hindsight offered no illumination. Even casting his mind back to that time, he could recall nothing out of the ordinary. Had she taken special care over her appearance? Had she been more remote or badtempered with him than usual? Had she shown any undue aversion to sex? Probably, but nothing he could remember. It had simply happened, without his awareness, almost in his very presence.

This was the saddest indictment of their relationship, the unspoken pact of mutual indifference they had allowed themselves to sign up to. He had been immune to her, even as her heart soared. Could he really blame her for leaving?

One small part of himself clung to the notion that ultimate responsibility lay with Lydia, that things would have been different if she had only supported him in his hour of need, rather than chiding him for destroying his career, and their lives with it, on a matter of principle.