Big break up. Its a bittersweet ending—not just the end of Carrie's relationship with Mr. Big, but the end of her dream of finding the proverbial Mr. Big—a man who doesn't really exist. If you read closely, you'll discover that even Mr. Big himself points out that he is a fantasy in Carrie's imagination, and that you can't love a fantasy. And so we leave Carrie to enter a new phase in her life when she understands that she will have to find herself (without a man), and in doing so will hopefully be able to find a relationship.

Maybe I'm not as unsentimental as I thought.

Candace Bushnell May 23, 2001

1. My Unsentimental Education: Love in Manhattan? I Don't Think So.


Here's a Valentine's Day tale. Prepare yourself.


An English journalist came to New York. She was attractive and witty, and right away she hooked up with one of New York 's typically eligible bachelors. Tim was forty-two, an investment banker who made about $5 million a year. For two weeks, they kissed, held hands—and then on a warm fall day he drove her to the house he was building in the Hamptons. They looked at the plans with the architect. "I wanted to tell the architect to fill in the railings on the second floor, so the children wouldn't fall through," said the journalist. "I expected Tim was going to ask me to marry him. ' On Sunday night, Tim dropped her off at her apartment and reminded her that they had dinner plans for Tuesday. On Tuesday, he called and said he'd have to take a rain check. When she hadn't heard from him after two weeks, she called and told him, "That's an awfully long rain check." He said he would call her later in the week.

He never did call, of course. But what interested me was that she couldn't understand what had happened. In England,

she explained, meeting the architect would have meant something. Then I realized, Of course: She's from London. No one's told her about the End of Love in Manhattan. Then I thought: She'll learn.



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