Louise Marie was dressed as always in the height of Paris fashion, the bell-shaped skirt of girlish yellow jaconet trimmed with blond lace, flounces, and far too many silk roses. The bodice was specially cut, and the skirt specially hemmed, to accommodate the twist of her spine and the uneven length of her legs.

"As long as you do your best, Mademoiselle Blanque," replied January, with the patient friendliness he had long cultivated to deal with pupils he didn't much care for personally, "you'll make progress. This isn't a race," he added, with a smile. "It's not like you have to be ready to open in Le Mariage de Figaro at Christmas."

"Well, that's a blessing," muttered Pauline, prowling from the shuttered windows of the second-floor front parlor where the piano stood. The younger sister slapped her fan on the piano's shining rosewood top, then a moment later caught it up and beat the air with it again, as if the necessity to do so were unjust penance imposed upon her alone. Though he had bathed before coming here, January felt the stickiness of sweat on his face and under his shirt and coat.

In April or October, all the long windows onto the gallery would have been thrown wide at this time of day to catch the breezes of coming evening. But now that was a luxury that could not be risked. Fever rode the night air, invisible and deadly-that was all that anybody knew of it. The winter curtains of velvet and tapestry had been exchanged for light chintz and gauze, but those were drawn closely over the tall French doors; and the light they admitted was wan and sickly gray. The woven straw mats underfoot, and the muslin covers masking the opulent furniture, did little to lighten or cool the room. With its mirrors swathed in gauze, its ornaments veiled against flyspecks, the place had a shrouded atmosphere, tomblike and drained of color.