And the Saint went back to the wheel of his van and drove away, feeling that he was nearing the end of an excellent day's work. He drove to the Great West Road, and out of London towards Maidenhead. Somewhere along that road he turned off into a side lane, and there he stopped for a few minutes out of sight of the main traffic. Inside the van was a large pot of paint, and the Saint used it energetically. He had never considered himself an artist, but he man-handled that van with the broad sweeping touch of a master. Under his vigorous wielding of the brush, the sign of Carter Paterson, which he had been at some pains to execute artisti­cally the night before, vanished entirely; and the van became plain. Satisfied with the obliteration of the handiwork which only a few hours before he had admired so much, the Saint resumed the wheel and drove back to London. The paint he had used was guaranteed quick-drying, and it lived up to the word of its guarantee. It collected a good deal of dust on the return voyage, and duly dried a somewhat soiled aspect which was a very fair imitation of the condi­tion in which Mr. Marks had received it.

He delivered it to its home garage at Shepherd's Bush and paid twenty-four hours' hire. Some time later Mr. Marks returned to Chelsea. A little later still, the not-so-immaculate Simon Templar turned into another garage and collected his trim blue Furillac speedster, in which he drove to his club in Dover Street. And the Simon Templar who saun­tered through to the bar and called for a pint of beer must have been one of the most impeccably im­maculate young men that that haunt of impeccably immaculate young men had ever sheltered.

"We don't often see you as early as this, sir," remarked the barman.