From behind me — yet a little distant, as if he were standing fifteen yards away instead of only five feet — Al said, “Close your eyes, buddy, it’s easier that way.”

When I did it, the sensory confusion disappeared at once. It was like uncrossing your eyes. Or putting on the special glasses in a 3-D movie, that might be closer. I moved my right foot and went down another step. It was steps; with my vision shut off, my body had no doubt about that.

“Two more, then open em,” Al said. He sounded farther away than ever. At the other end of the diner instead of standing in the pantry door.

I went down with my left foot. Went down with my right foot again, and all at once there was a pop inside my head, exactly like the kind you hear when you’re in an airplane and the pressure changes suddenly. The dark field inside my eyelids turned red, and there was warmth on my skin. It was sunlight. No question about it. And that faint sulphurous smell had grown thicker, moving up the olfactory scale from barely there to actively unpleasant. There was no question about that, either.

I opened my eyes.

I was no longer in the pantry. I was no longer in Al’s Diner, either. Although there was no door from the pantry to the outside world, I was outside. I was in the courtyard. But it was no longer brick, and there were no outlet stores surrounding it. I was standing on crumbling, dirty cement. Several huge metal receptacles stood against the blank white wall where Your Maine Snuggery should have been. They were piled high with something and covered with sail-size sheets of rough brown burlap cloth.

I turned around to look at the big silver trailer which housed Al’s Diner, but the diner was gone.

2

Where it should have been was the vast Dickensian bulk of Worumbo Mills and Weaving, and it was in full operation. I could hear the thunder of the dyers and dryers, the shat-HOOSH, shat-HOOSH of the huge weaving flats that had once filled the second floor (I had seen pictures of these machines, tended by women who wore kerchiefs and coveralls, in the tiny Lisbon Historical Society building on upper Main Street). Whitish-gray smoke poured from three tall stacks that had come down during a big windstorm in the eighties.