His voice moderated. “Some of the things in there are sharp. You could cut yourself.”

“I can’t see,” she apologized.

“It’s okay. Close the lid.” He waited while she closed it and flipped the catches. “Now, can you pick up the box and move it over here?”

Katrina stood, bent down and gripped the handle of the metal toolbox with both hands. Then she pulled up with all her might. Nothing happened. She screwed up her determination and tried again.

It lifted a couple of inches off the ground, and she moved it forward before dropping it down.

“Don’t hurt yourself,” Reed warned.

“I’m good,” she gasped. She lifted again, swinging it closer. Then again. And again.

“You’re doing fine,” he told her.

“This is pathetic.”

“For a cowboy, yeah,” he agreed. “For a ballerina, we make allowances.”

“Thank goodness I’m going back to New York City.”

There was a breath of silence before he spoke. “Thank goodness.”

“I’m almost-” Her feet slipped out from under her, and she landed in an undignified heap on the muddy ground, brown water spraying around her. “There,” she finished, seriously regretting her decision to come along on this trip. Exactly why did she think she needed to be alone with Reed?

“You okay?” he asked.

“Define okay.”

“Are you injured?”

“No. Bruised, yes.”

Reed stretched out his arm, his fingertips almost made it to the handle of the toolbox. Katrina gave it a hard shove, sliding the box, and he grasped the handle in his fist, lifting it and moving it to where he could search for a bolt.

“I can’t believe you carried that thing all the way up the hill,” she told him.

“I have size, muscle mass and testosterone on my side.”

“You’re incredibly useful.”

“And you’re incredibly pretty.” He glanced at her. “Well, not right now.”

She clenched her jaw. “I hate being pretty.”