
Despite the eagerly approaching child, the solidity of the house, the sweeping sense of space, it seemed to Jenny that there was something peculiarly isolated about the figure. Why? Perhaps because the expression in the woman’s eyes was so sad. Or was it just that the entire painting suggested biting cold? Why would anyone sit outside in that cold? Why not watch the sunset from a window inside the house?
Jenny shivered. Her turtleneck sweater had been a Christmas gift from her ex-husband Kevin. He had arrived at the apartment unexpectedly on Christmas Eve with the sweater for her and dolls for the girls. Not one word about the fact that he never sent support payments and in fact owed her over two hundred dollars in “loans.” The sweater was cheap, its claim to warmth feeble. But at least it was new and the turquoise color was a good background for Nana’s gold chain and locket. Of course one asset of the art world was that people dressed to please themselves and her too-long wool skirt and too-wide boots were not necessarily an admission of poverty. Still she’d better get inside. The last thing she needed was to catch the flu that was making the rounds in New York.
She stared again at the painting, admiring the skill with which the artist directed the gaze of the viewer from the figure on the porch to the child to the sunset. “Beautiful,” she murmured, “absolutely beautiful.” Unconsciously she backed up as she spoke, skidded on the slick pavement and felt herself bump into someone. Strong hands gripped her elbows and steadied her.
