He made a point of dividing his time as equally as possible among the ladies—although I noticed that he paid very little attention to his wife. While he, Flora, and Ivy looked at old stereoscope pictures of scenes of the English countryside, I wrote back to Margaret. The countess was reading a book whose title she kept hidden, and Lady Fortescue, who stayed so quiet that I’d nearly forgotten she was with us, was embroidering in the corner farthest from the fireplace, above which hung an enormous portrait of her husband.

It would have been difficult to find a woman more meek and unassuming—gray, really, despite her youth—than the new Lady Fortescue. She jumped, startled, whenever she was spoken to, not so much because she was shy as because she had grown accustomed to being ignored. Her husband was not openly cruel to her; that would have reflected badly on him. Instead, he treated her with an easy indifference, as if she were little more than a favored servant or a trinket he had received as a gift, but had never really wanted.

Ivy, who had grown tired of the stereoscope, came to me, leaning on the gilded table at which I sat. “I don’t understand why he married her,” she said, keeping her voice low enough that she would not be overheard.

“She does seem an unlikely choice for such a man,” I said. “I should have thought he would want either a stunning beauty or someone with a significant fortune. And it’s certainly safe to assume his motive wasn’t love.”

“She’s practically penniless.”

“All of society raved about how generous it was of him to marry her and bring her back to her ancestral home.”

Poor Mary Fortescue. Her mother and father had died when she was very young, leaving her under the care of her elder brother, Albert Sanburne, who did not long survive his parents. After his death less than a year later there was no one left to inherit, and his barony, along with Beaumont Towers, the estate on which the girl had been raised, reverted back to the Crown.