The child stood glum and limp in the middle of the dark living room while his father pulled him into a plaid coat. His right arm was hung in the sleeve but the father buttoned the coat anyway and pushed him forward toward a pale spotted hand that stuck through the half-open door.

“He ain’t fixed right,” a loud voice said from the hall.

“Well then for Christ’s sake fix him,” the father muttered. “It’s six o’clock in the morning.” He was in his bathrobe and barefooted. When he got the child to the door and tried to shut it, he found her looming in it, a speckled skeleton in a long pea-green coat and felt helmet.

“And his and my carfare,” she said. “It’ll be twict we have to ride the car.”

He went in the bedroom again to get the money and when he came back, she and the boy were both standing in the middle of the room. She was taking stock. “I couldn’t smell those dead cigarette butts long if I was ever to come sit with you,” she said, shaking him down in his coat.

“Here’s the change,” the father said. He went to the door and opened it wide and waited.

After she had counted the money she slipped it somewhere inside her coat and walked over to a watercolor hanging near the phonograph. “I know what time it is,” she said, peering closely at the black lines crossing into broken planes of violent color. “I ought to. My shift goes on at 10 P.M. and don’t get off till 5 and it takes me one hour to ride the Vine Street car.”

“Oh, I see,” he said; “well, we’ll expect him back tonight, about eight or nine?”

“Maybe later,” she said. “We’re going to the river to a healing. This particular preacher don’t get around this way often. I wouldn’t have paid for that,” she said, nodding at the painting, “I would have drew it myself.”

“All right, Mrs. Connin, we’ll see you then,” he said, drumming on the door.

A toneless voice called from the bedroom, “Bring me an icepack.”