Jeffery Deaver


A Maiden's Grave

To Diana Keens, for being

an inspiration, a discerning critic,

a pan of my books, a part of my life,

with all my love.


ACKNOWLEDGMENTS

I'd like to give special thanks to Pamela Dorman at Viking, an editor with the persistence and patience (not to mention just plain guts) to keep authors striving for the same level of excellence she achieves in her craft. My deepest appreciation too to Deborah Schneider, dear friend and the best agent in the world. And to the entire Viking/NAL crew, especially Barbara Grossman, Elaine Koster, Michaela Hamilton, Joe Pittman, Cathy Hemming, Matthew Bradley (who's earned the title Combat Publicist a hundred times over), and Susan Hans O'Connor. No mention of gratitude would be complete without acknowledging the fine folks at Curtis Brown in London, especially Diana Mackay and Vivienne Schuster, and at my top-notch British publisher, Hodder-Headline, notably my editor, Carolyn Mays, and Sue Fletcher and Peter Lavery. Thanks to Cathy Gleason at Gelfman-Schneider, and thanks and a "hey" to my grandmother Ethel Rider and my sister and fellow author, Julie Reece Deaver, and to Tracey, Kerry, David, Taylor, Lisa (Ms. X-Man), Casey, Chris, and Bryan Big and Bryan Little.

THE CROW RIDGE BARRICADE

- July 17 -

I THE KILLING ROOM

8:30 A.M.

"Eight gray birds, sitting in dark.

"Cold wind blows, it isn't kind."

The small yellow school bus crested an abrupt rise on the highway and for a moment all she could see was a huge quilt of pale wheat, a thousand miles wide, waving, waving under the gray sky. Then they dipped down once again and the horizon was gone.



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