
We were still driving through the dockyards. Most of the names on the bonded warehouses and oil tanks were British or American: Oakley Watling, Glasgow Wire, Wainwright Brothers, Ingham Clark, English Electric, Crompton Parkinson, and Western Telegraph. In front of a big, open warehouse a dozen rolls of newsprint the size of hayricks were turning to pulp in the early-morning rain. Laughing, Fuldner pointed them out.
“There,” he said, almost triumphantly. “That’s Peronism in action. Peron doesn’t close down opposition newspapers or arrest their editors. He doesn’t even stop them from having newsprint. He just makes sure that by the time it reaches them the newsprint isn’t fit to use. You see, Peron has all the major labor unions in his pocket. That’s your Argentine brand of fascism, right there.”
2
BUENOS AIRES, 1950BUENOS AIRES LOOKED and smelled like any European capital city before the war. As we drove through the busy streets, I wound down the window and took a deep, euphoric breath of exhaust fumes, cigar smoke, coffee, expensive cologne, cooked meat, fresh fruit, flowers, and money. It was like returning to earth after a journey into space. Germany, with its rationing and war damage and guilt and Allied tribunals, seemed a million miles away. In Buenos Aires there was lots of traffic because there was lots of petrol. The carefree people were well dressed and well fed, because the shops were full of clothes and food. Far from being a remote backwater, Buenos Aires was almost a Belle Epoque throwback. Almost.
The safe house was at Calle Monasterio 1429 in the Florida district. Fuldner said Florida was the smartest part of Buenos Aires, but you wouldn’t have known it from the inside of the safe house. The outside was shielded by a carapace of overgrown pine trees, and it was called a safe house probably because, from the street, you wouldn’t have known it was there at all. Inside, you knew it was there but wished it weren’t. The kitchen was rustic. The ceiling fans were just rusty. The wallpaper in all the rooms was yellow, although not by design, and the furniture looked as if it was trying to return to nature. Poisonous, half decayed, vaguely fungal, it was the kind of house that belonged in a bottle of formaldehyde.
