London, 1816

A new bridge was rising to cross the Thames just south and east of Covent Garden, a silent hulk of stone and scaffolding slowly stretching its arches across the river. I walked down to this unfinished bridge one sweltering July night through darkness that belonged to pickpockets and game girls, from Grimpen Lane to Russel Street through Covent Garden, its stalls shut up and silent, along Southampton Street and the Strand to the pathways that led to the bridge.

I walked to escape my dreams. I had dreamed of a Spanish summer, one as hot as this, but with dry breezes from rocky hillsides under a baking sun. The long days came back to me and the steamy rains that muddied the roads and fell on my tent like needles in the night. The warmth took me back to the days I had been a cavalry captain, and to one particular night when it had stormed and things had changed for me.

Now I was in London, Iberia far away. The damp warmth of cobblestones caressed my feet, soft rain striking my face and rolling in little rivulets down my nose. The hulk of the bridge was silent, a dark presence not yet born.

That is not to say it was deserted. A street theatre distracted passersby on the Strand and game girls stood at the edges of the pavement. A threesome of burly men, arm in arm and smelling of ale, pushed through singing a happy tune off-key. They slithered and dodged among wheeled conveyances, never loosening their hold on one another. Their merry song drifted into the night.

A woman brushed past me, making for the tunnel of darkness that led to the bridge. Droplets of rain sparkled on her dark cloak, and I glimpsed beneath her hood a fine, sculpted face and the glitter of jewels. She passed so close to me that I saw the shape of each slender gloved finger that had held her cloak, and the fine chain of gold that adorned her wrist.