
Antonia has a sharp appetite for personal relations. She is an intense and passionate woman and has passed for this reason for being humourless, though this latter charge in fact is false. Antonia, like me, has no religion; but she achieves what might be called religiosity in relation to certain beliefs. She holds that all human beings should aspire towards, and are within working distance of, a perfect communion of souls. This creed, which borrows as little from popular Oriental cults as it does from Antonia's vestigial Christianity, may best be described as a metaphysic of the drawing-room. In the form in which Antonia holds it, it is original to her, although I can discern its statelier predecessor in Antonia's now frail but resolutely exquisite mother with whom I have maintained a tenuous but gallant relationship. Antonia's undogmatic apprehension of an imminent spiritual interlocking where nothing is withheld and nothing hidden certainly makes up in zeal for what it lacks in clarity. The mere presence of such a belief in a woman, particularly in a beautiful woman, tends of course to create a rich centripetal eddy of emotion round about her, thereby providing itself with an immediate pragmatic verification; and in the early days particularly people were always falling in love with Antonia and wanting to tell her all their troubles. I had no objection to this, as it eased some of my anxieties about her welfare by making her happier than if she had had no soul to commune with but my own.
