In time, Count Folquet himself, under the tutelage of Anselme of Cauvas, began to make his own songs, and from that day it may be said that the art and reputation of the troubadours has never been diminished or endangered in Arbonne, and has indeed grown and flourished in all the known countries of the world…

PROLOGUE

On a morning in the springtime of the year, when the snows of the mountains were melting and the rivers swift in their running, Aelis de Miraval watched her husband ride out at dawn to hunt in the forest west of their castle, and shortly after that she took horse herself, travelling north and east along the shores of the lake towards the begetting of her son.

She did not ride alone or secretly; that would have been folly beyond words. Though she was young and had always been headstrong, Aelis had never been a fool and would not be one now, even in love.

She had her young cousin with her, and an escort of six armed corans, the trained and anointed warriors of the household, and she was riding by pre-arrangement—as she had told her husband several days before—to spend a day and a night with the duchess of Talair in her moated castle on the northern shore of Lake Dierne. All was in order, carefully so.

The fact that there were other people in Castle Talair besides the duchess and her ladies was an obvious truth, not worthy of comment or observation. A great many people made up the household of a powerful duke such as Bernart de Talair, and if one of them might be the younger son and a poet, what of that? Women in a castle, even here in Arbonne, were guarded like spices or gold, locked up at night against whoever might be wandering in the silence of the dark hours.

But night, and its wanderers, was a long way off. It was a beautiful morning through which they now rode, the first delicate note of the song that would be springtime in Arbonne.



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