All was immaculate – illuminated, transfigured, miniature. It attracted him not as a refuge (although he saw himself as a refugee), nor by its double familiarity, but by its long strangeness and obstinacy in the face of Time, celebrated here in the generation (or so it seemed) rather than the reflection of light. Viriconium, the Pastel City; a little cryptic, a little proud, a little mad. Its histories, as forgotten as his own, made of the air a sort of amber, an entrapment; the geometry of its avenues was a wry message from one survivor to another: and its present, like his own, was but an implication of its past – a dream, a prediction, a brief possibility to be endured.

Thus he fell into a reverie of dispossession, a thin man sitting on a rock in the red wash of sunset, heraldic yellow blazing across his chest, while in his face puzzlement contended with weariness and a certain awe. The light began to fail about him. The valley sounds intensified then died away. A cool wind sprang down from Rossett Gill to rustle like a small animal in the bracken. When he looked up again the City was lost, the evening grey and chilly, and an old man in a long cloak was walking up the path towards him.

He got to his feet and stretched his stiff limbs, Covertly he studied the newcomer's apparel for the Sign of the Locust. When he could not find it he let his hand drop from the hilt of his baan.

'Hello, old man,'he said.

The old man stopped. He was barefooted and dusty, bent as if from a long journey undertaken in haste and poverty, and his face was hidden in the depths of his hood. Fulthor would have taken him for a tenant farmer, or one of the small shopkeepers of the south, called away from Soubridge or Lendalfoot to bring a dowry to the wedding of a favourite daughter (copper in the shape of a dolphin, long-hoarded; a small piece of steel equal to the profits of one fig tree), tears and unbleached cloth to the funeral of a younger son.