
“Your mother’s father?”
Jack nodded.
“Because your dad wasn’t Jewish?”
Jack shook his head. “No, because he was hoping his daughter would marry up. In Granddad’s mind, watch repair didn’t quite cut it. Even though my dad loved it.”
They were sitting in the aft salon of Jack’s Aleutian 59 he’d dubbed the Sea Wrighter. He and Rachel had bought it during the real estate boom, with money she made from flipping houses. Jack had been a live-aboard for two years, since moving out of the house in Tiburon he’d shared with his ex-wife. He often marveled that his boat was almost double the size of Hemingway’s famous thirty-eight-foot Pilar. Named for his second wife, Pauline, whose nickname was Pilar, it was also the name of a pivotal character in For Whom the Bell Tolls. Built in Brooklyn, New York, in 1934 by the Wheeler Shipyard, it cost $7,455. Jack chuckled thinking about the 70-hp Chrysler Crown gasoline engine, which drove her at 8 knots with a top speed of 16 knots. Jack’s Aleutian had two 1000-hp Caterpillar diesels, which could drive his forty-ton beauty upwards of 22 knots. Jack also had a small apartment in town but he rarely spent time there, preferring life on the marina instead. There was a sense of community here, of shared purpose, that you didn’t get in the city.
Tony lived aboard the Tarangi, a thirty-two-foot Chey Lee clipper just three slips down-a slot he’d managed to score despite size restrictions when one of the larger boats pulled anchor. So a day wouldn’t be complete without Tony at least popping his head in, and more often than not he brought along a bottle of wine. Tony considered himself something of a budget connoisseur and liked to share.
Jack preferred beer or a single malt himself. His favorite combo was a few ’85 Glenrothes followed by a couple of cold Becks, but he indulged his friend’s passion and usually gave in when offered a glass. Tony’s selection tonight was an ’04 Gaja Sori San Lorenzo, which he’d received in exchange for his mechanical skills on an Atomic-4 engine. They toasted Officer Thomas Drabinsky at the top; it was the first time since the blast that Jack had choked up. Something about the finality of the gesture, the acknowledgment that a life was over, his story had been told, The End.
