Stephen Leigh

THURSDAY, NOVEMBER 27, 1986, WASHINGTON, DC:

The Sony threw flickering light over Sara's Thanksgiving feast: a Swanson turkey dinner steaming in foil on the coffee table. On the television screen a mob of misshapen jokers marched through a sweltering New York summer afternoon, their mouths moving in silent screams and curses. The grainy scene had the jerky look of an old newsreel, and suddenly the picture swung about to show a handsome man in his mid-thirties, his sleeves rolled up, his suit coat slung over a shoulder and his tie loose on his neck-Senator Gregg Hartmann, as he had been in 1976. Hartmann strode through the police lines blockading the jokers, shrugging away the security men who tried to hold him, shouting at the police himself. Alone, he stood between the authorities and the oncoming crowd of jokers, motioning them back.

Then the camera panned toward a disturbance within the ranks of jokers. The images were jumbled and out of focus: at the center was the ace/prostitute known as Succubus, her body seemingly made of quicksilver flesh, her appearance constantly shifting. The wild card had cursed her with sexual empathy. Succubus could take on whatever shape and form most pleased her clients, but that ability was now out of control. Around her, people responded to her power, grasping out for her with a strange lust on their faces. Her mouth was open in an imploring scream as the pursuing crowd, police and jokers both, bore her down. Her arms were stretched out in supplication, and as the camera panned back, there was Hartmann again, his jaw open in surprise as he gaped at Succubus. Her arms were reaching for him, her plea was for him. Then she was gone under the mob. For several seconds she was buried, lost. But then the crowd drew back in horror. The camera followed Hartmann closer: he shoved through those around Succubus, angrily pushed them away.