Ellie's office was up on the second floor of the house in Georgetown. It was as tidy and meticulously organized as I remembered her being back when we thought we might love each other.

    A copy of Sidney Poitier's The Measure of a Man was open on the arm of an easy chair. I'd liked the autobiography and remembered that Ellie and I had similar tastes in books, music, and politics.

    The shades were all drawn to exactly the same height. The desk held an iMac, a phone, an appointment book, and a few family photos in silver frames. The room felt strange compared with the downstairs of the house, which had been ransacked by the killers last night.

    I started with Ellie's appointment book and then went on to the desk drawers. I wasn't sure yet what I was looking for, only that I'd had to come back here with a clearer head than I'd had last night.

    I booted up Ellie's computer and went into her e-mail- checking the in-box, sent items, and deleted folders, working backward in time. I was trying to get as close as possible to the moment of the murders. Had Ellie known the killers?

    The first thing to catch my attention was a note from an editor at Georgetown University Press. It concerned her completion schedule for “the new book.”

    Ellie had a new book coming out? I knew she was on the history faculty at Georgetown, but I didn't know much more than that. We had seen each other at a few charity events during the past fifteen years or so, but that was about it. She was married, I wasn't for much of that time, and that fact can sometimes cut down contact and communication.

    I ran her name through Amazon and Barnes & Noble and found three book titles. Each had something to do with African sociopolitics. The most recent one, Critical Juncture, had been published four years ago.

    So where was the new book? Was there a partial manuscript I could read?