I sat on the piano bench and tried to force my clumsy fingers to find the first offbeat notes of that skittering melody. The music seemed to be in such a hurry, but something about it took me back to a place and a time much slower, and maybe better, than any in Washington, D.C. The bumpy syncopation reminded me of the sound I used to hear coming from tiny Negro churches out in the country, in the woods outside Eudora, Mississippi, where I was born and raised.

As a boy I’d walked past those churches a thousand times. I’d heard the clapping and the fervent amens. Now that had all gotten blended in with a fast-march tempo and the syncopated melody of the old work songs. Mix it all together, speed it up, and somehow, from that corner of the South, down around where Louisiana, Mississippi, and Arkansas meet up, the music came out ragtime.

Whenever I heard that sound, whether issuing from a saloon on the wrong side of Capitol Hill or a shiny new phonograph in Dupont Circle, it sent me out of my Washington life and down the memory road to Mississippi.

And whenever I thought of Mississippi, I couldn’t help seeing my mother’s face.

Chapter 8

EUDORA, THE COUNTY SEAT, is located in an odd corner of southern Mississippi, sixty miles east of the Big Muddy and fifteen miles north of the Louisiana state line.

My father, the Honorable Everett J. Corbett, may have been the most important judge in town, but the only truly famous citizen in Eudora was my mother, Louellen Corbett. They called her “the Poetess of Dixie.” She wrote sweet, simple, sentimental verses in such noted periodicals as Woburn’s Weekly Companion and the Beacon-Light that captured the hearts of southern ladies. She wrote poems about everything dear to the southern heart-paddle wheelers on the Mississippi, moonlight on the magnolias, the lonely nobility of the aging Confederate widow.