“He always does that,” I said, as Bertie walked away to join another group. “He says it gives people something to talk about. It’s Claudia, yes?”

She nodded, watching Bertie. It was one of his afternoon drinks parties, too late for tea but early enough to catch the sunset on the Grand Canal outside. Bertie’s palazzo was near the Mocenigo on the Sant Angelo side, just before the canal makes its last bend toward the Accademia bridge, and in winter the late-afternoon light on the water was muted, almost a pale pink. What sun was left seemed to have moved inside to the burning fireplaces making small circles of heat on either side of the room. The crowd was Bertie’s usual mix-pale-faced curators from the Accademia, where he was “attached” without being officially on staff, a few attractive men whom I took to be former research assistants, overdressed expatriates with drinks, and Venetians rich or idle enough not to be at work at five in the afternoon. I had seen her earlier, standing alone by the window, looking out of place and stranded, like someone who’d been promised a drink and been forgotten. She was fingering her collar button, an unconscious distress signal, then caught my eye and stopped, dropping her hand but not looking away. I started over to rescue her, but Bertie suddenly appeared, moving her back into the crowd, still awkward but at least talking to people. By the time he made his way to me, any shyness was gone, her stare frank and curious.

“What do you usually talk about?” she said, her voice almost flat, as if the effort of speaking English had lowered it, brought it down an octave.

“Anything. Where you learned English, for instance.”

“In London. Before the war. My father wanted me to know English. But of course it’s difficult, these past few years. To speak it.”

“It’s fine,” I said, looking at her more carefully now.