The stout woman passing out poppies to two tough-looking soldiers, who each kissed her on the cheek. The bobby trying to drag a girl down off the Nelson monument and the girl leaning down and blowing a curled-paper party favor in his face. And the bobby laughing. They looked not so much like people who had won a war as people who had been let out of prison.

Which they had been.

“Look!” Paige cried. “There’s Reardon.”

“Where?”

“By the lion.”

“Which lion?”

“That lion.” Paige pointed. “The one with part of his nose missing.”

There were dozens of people surrounding the lion and on the lion, perched on its reclining back, on its head, on its paws, one of which had been knocked off during the Blitz. A sailor sat astride its back, putting his cap on the lion’s head.

“Standing in front of it and off to the left,” Paige directed her. “Can’t you see her?”

“No.”

“By the lamppost.”

“The one with the boy shinning up it?”

“Yes. Now look to the left.”

She did, scanning the people standing there: a sailor waving his cap in the air, two elderly women in black coats with red, white, and blue rosettes on their lapels, a blonde teenaged girl in a white dress, a pretty redhead in a green coat—

Good Lord, that looks just like Merope Ward, she thought. And that impossibly bright green coat was exactly the sort of outfit those idiot techs in Wardrobe would have told her was what the contemps wore to the VE-Day celebrations.

And the young woman wasn’t cheering or laughing. She was looking earnestly at the National Gallery steps, as if trying to memorize every detail. It was definitely Merope.

She raised her arm to wave at her.

There won’t be any next time if this war is lost.

—EDWARD R. MURROW,

17 June 1940