First published: 1965

When I swung out of the village street onto the main highway, there was a truck behind me. It was one of those big semi jobs and it was really rolling. The speed limit was forty-five on that stretch of road, running through one corner of the village, but at that time in the morning it wasn't reasonable to expect that anyone would pay attention to a posted speed.

I wasn't too concerned with the truck. I'd be stopping a mile or so up the road at Johnny's Motor Court to pick up Alf Peterson, who would be waiting for me, with his fishing tackle ready. And I had other things to think of, too — principally the phone and wondering who I had talked with on the phone. There had been three voices and it all was very strange, but I had the feeling that it may have been one voice, changed most wonderfully to make three voices, and that I would know that basic voice if I could only pin it down. And there had been Gerald Sherwood, sitting in his study, with two walls lined by books, telling me about the blueprints that had formed, unbidden, in his brain. There had been Stiffy Grant, pleading that I not let them use the bomb. And there had been, as well, the fifteen hundred dollars.

Just up the road was the Sherwood residence, set atop its hill, with the house almost blotted out, in the early dawn, by the bulking blackness of the great oak trees that grew all around the house. Staring at the hill, I forgot about the phone and Gerald Sherwood in his book-lined study with his head crammed full of blueprints, and thought instead of Nancy and how I'd met her once again, after all those years since high school. And I recalled those days when we had walked hand in hand, with a pride and happiness that could not come again, that can come but once when the world is young and the first, fierce love of youth is fresh and wonderful.