There are moments in life that are between: between the blow and the pain, between the phone ringing and the answer, between the misstep and the fall. One that comes to everyone is a moment, or three, or five, between sleeping and waking, when the past has not yet been re-created out of memory and the present has made no impression. It is a moment of great mercy; disorienting, like all brushes with grace, but a gift nonetheless.

Russ Van Alstyne was floating in this moment.

He rolled over and emerged from a dreamless sleep like a diver floating to the surface of the ocean. The room he was in was dark, tiny, not his. He had never made up stories about the cracks in the plaster ceiling, and he had never tried to replace the lopsided overhead glass light. The room was neither dark nor light but thick with shadows, and he lay in the comfortable bed with quilts rucked up beneath his chin and wondered if it was day or night. Was it summer or winter or spring or fall? His hand moved between thick, thousand-wash sheets. Was he alone or was…?

That thought tumbled him back into his life.

He pressed his face toward the feather pillow, desperately reaching for the last handhold on the vanishing train of sleep, but that car was gone, and he was well and truly awake. In an upstairs bedroom at his mother’s house. He eyed the small windows in the kneehole wall, where gray light leaked in around the brittle green shades. Probably late afternoon. He should call the station and get a status report from Lyle MacAuley. Things had been dead quiet since New Year’s, thank God. The only open case they had was the death of Herb Perkins’s border collie. Somebody had lured the dog out of the barnyard and butchered it. Gruesome but not urgent. Lyle was checking out the extremely long list of people who might have disliked the foul-tempered Perkins enough to give him the Millers Kill equivalent of the horse’s head between the sheets.