She wanted to go back outside, return to the carriage, but now, as she turned around, she couldn't remember what door she had come through, or even which way was north. The windows were curtained, and whatever door she had come through, she couldn't see it now.

It was an odd place, for there was cloth everywhere, folded neatly and stacked on all the furniture, on the floors, on the stairs, as if someone had just bought enough to make a thousand dresses with and the tailors and seamstresses were yet to arrive. Then she realized that the piles were of one continuous cloth, flowing off the top of one stack into the bottom of the next. How could there be a cloth so long? Why would anyone make it, instead of cutting it and sending it out to get something made from it?

Why indeed. How foolish of her not to realize it at once. She knew this place. She hadn't visited it herself, but she had seen it through Alvin's heartfire years ago.

He was still in Ta-Kumsaw's thrall in those days. The Red warrior took Alvin with him and brought him into his legend, so that those who now spoke of Alvin Smith the Finder-killer, or Alvin Smith and the golden plow, had once spoken of the same boy, little knowing it, when they spoke of the evil "Boy Renegado," the white boy who went with Ta-Kumsaw in all his travels in the last year before his defeat at Fort Detroit. It was in that guise that Alvin came here, and walked down this hall, yes, turning right here, yes, tracking the folded cloth into the oldest part of the house, the original cabin, into the slanting light that seems to have no source, as if it merely seeped in through the chinks between the logs. And here, if I open this door, I will find the woman with the loom. This is the place of weaving.