"What?"

"They may drop 'Soliloquy.' '

"Are you sure?"

"The person who told me said the crappy sponsor wasn't interested in renewing."

"Why not?"

"The person didn't say."

"There's always the Navahos," I said.

"David, I think it's the third or fourth best show on TV."

"Soliloquy" was a series I had worked out on my own. It was the first major thing I had done since joining Weede's group-a small, elite and experimental unit put together for the purpose of developing new concepts and techniques. The rest of the network despised us because of our relative freedom and because of the industry prizes we had won for our warcasts, which were done independently of the news division. "Soliloquy" had won nothing. Each show consisted, very simply, of an individual appearing before the camera for an hour and telling his life story. I wanted to ask her what else Weede had said about the series. But that wouldn't have been fair. She had already taken a chance in telling me as much as she had. Just then Weede went by my office, moving swiftly, head down, body tilted forward as if on skis. He always came back to the office at least half an hour after Binky on Thursday afternoons; this maneuver, obviously, was an attempt to avoid suspicion. I liked to think that he walked around the block five times during that half-hour, or stood in a phone booth in the lobby and pretended he was talking to someone, moving his lips over the mouthpiece, perhaps actually speaking, carrying on a normal businesslike conversation with the dial tone. And he always walked by my office very quickly, then tried to avoid me for the rest of the day. He must have possessed an extraordinarily complex sense of guilt. I think he was afraid of me on those Thursdays. But on Friday morning he would come looking for me, breathing smoke and vengeance, as if I were the engineer of his guilt.

Binky went back to her desk.