“What’s the mill?” Jimmy said and ran a hand along the smooth fender.

“You don’t want to know,” Angel said.

Jimmy reached into the downturned mouth of the chrome grill and found the latch and opened the hood. There was no chrome on the engine. It was functionality writ large, wedged in its space like an iron fist.

The men stepped closer. Nobody said anything.

“A 427,” Angel said. “Holman-Moody built it for Freddie Lorenzen in ’66. Come by in the daytime, I’ll light it up for you. It doesn’t have very good manners.”

One of the kids repeated the last in Spanish for the man next to him.

Jimmy lowered the hood, pushed gently until the latch clicked.

“You all right?” Angel said. “You seem a little down.”

Jimmy didn’t answer. He stared at the bare metal curve of the car, old and new at the same time.

“Come on,” Angel said. “Say it out loud.”

“You know how sometimes you forget about it?” Jimmy said.

Angel nodded.

“And then you remember.”

“What happened?”

“A girl kissed me on the cheek,” Jimmy said. “And she knew.”

“What girl?”

“Girl on Sunset. A hooker. Jumped in my car.”

Angel waited a minute and then he said, “They see a lot of dark shit. They get tuned in to it.”

“Maybe she saw what’s really there. You ever think about that?”

“Not about you,” Angel said.

A few hours later, the moon had set, the women were gone, the men were lifting weights. Angel stood over the bench press spotting a fearsome man grinding out a last rep. Jimmy was up on the deck. The Hollywood Freeway was a half mile away and the traffic, even late, threw up a sound like the ocean.