“A Fetch. Your Fetch, to be exact,” she said. “You know, the spirits that wear your face when they come to escort you to the lands of—”

“—the dead,” I finished. “Little problem: I’m not dead.” A Fetch is a duplicate of a living person created when it’s time for them to die. They’re incredibly rare, and most people don’t get one. I certainly never requested the honor.

May shrugged. “Mortality’s a constant. I have time; I can wait.”

“You can’t be my Fetch! I’m not going to die!”

“Are you sure?” she asked, looking at me with renewed interest. “Did you go all pureblooded and death-proof when I wasn’t looking?”

“Yes! I mean, no! I mean, yes, I’m sure!”

“I wouldn’t be. I mean, you’re not exactly Little Miss Caution. Look at this.” She pulled down the collar of her sweatshirt, displaying a knot of scar tissue on her left shoulder. “Iron bullets? Yeah, those are a sign of good survival prospects. Or this?” This time she raised the bottom of the shirt, showing the curved claw-marks that crossed her stomach. I’d never seen those scars from the outside: they looked a lot worse from this angle. Some of those wounds should have been fatal.

May tugged her shirt back into place. “I’m sorry to be the one to tell you, but you’re not exactly on the universe’s ‘ten longest projected life spans’ list. I wish you were, because when you die, I die with you.” She shrugged. “But fate doesn’t have a suggestion box.”

“Why are you trying so hard to make me believe that I haven’t got much time before I—”

“—shuffle off this mortal coil? Because you don’t, hon. I’m sorry, but it’s true. And what’s with the Shakespeare fixation? Didn’t your mother know about Nora Roberts?”

“Well, first, my mother doesn’t care about mortal authors,” I said, slowly. Her rapid subject changes were confusing me. “Second, I was born in 1952. How was I supposed to find Nora Roberts? Borrow a time machine? And if you have issues with my Shakespeare fixation, why are you wearing that shirt?”