“By such reflections, and by the continuance in them of a divine nature, all that which we have described waxed and increased in them; but when this divine portion began to fade away in them, and became diluted too often, and with too much of the mortal admixture, and the human nature got the upper-hand, then, they being unable to bear their fortune, became unseemly, and to him who had an eye to see, they began to appear base, and had lost the fairest of their precious gifts; but to those who had no eye to see the true happiness, they still appeared glorious and blessed at the very time when they were filled with unrighteous avarice and power. Zeus, the god of gods, who rules with law, and is able to see into such things, perceiving that an honorable race was in a most wretched state, and wanting to inflict punishment on them, that they might be chastened and improved, collected all the gods into his most holy habitation, which, being placed in the centre of the world, sees all things that partake of generation. And when he had called them together he spake as follows:”

[Here Plato’s story abruptly ends.]

CHAPTER III.

THE PROBABILITIES OF PLATO’S STORY.

There is nothing improbable in this narrative, so far as it describes a great, rich, cultured, and educated people. Almost every part of Plato’s story can be paralleled by descriptions of the people of Egypt or Peru; in fact, in some respects Plato’s account of Atlantis falls short of Herodotus’s description of the grandeur of Egypt, or Prescott’s picture of the wealth and civilization of Peru. For instance, Prescott, in his “Conquest of Peru” (vol. i., p. 95), says: “The most renowned of the Peruvian temples, the pride of the capital and the wonder of the empire, was at Cuzco, where, under the munificence of successive sovereigns, it had become so enriched that it received the name of Coricancha, or ‘the Place of Gold.’ . . . The interior of the temple was literally a mine of gold. On the western wall was emblazoned a representation of the Deity, consisting of a human countenance looking forth from amid innumerable rays of light, which emanated from it in every direction, in the same manner as the sun is often personified with us. The figure was engraved on a massive plate of gold, of enormous dimensions, thickly powdered with emeralds and precious stones. . . .