
Sadly, my dear friend and PA, Jane Watts, who supervised so much of the photostatting and collation of the book, and who had given me so much love and support over the past six years, left in November. With huge luck, her place was soon taken by Pippa Moores, who arrived to oversee the move into computers, and stayed to become my new assistant.
My family, comme toujours, were staunchness personified. Leo, Felix and Emily hardly saw me for eighteen months, but gave endless cheer and comfort. So did my dogs Barbara and Hero, and four cats, Agnes, Sewage, Rattle and Tilson-Thomas, who provided sweet, silent companionship and protection in the gazebo, even at the dead of night.
Dear gallant Barbara (Gertrude the mongrel in my last four books) seemed determined to cling on to life if only to see me safely into port. She died a few days after I finished writing, leaving the world unbearably the poorer.
Finally, I would like to thank musicians everywhere for the joy they bring, and to beg the public, the Government and the local authorities to give them the support and funding they so desperately need, because a twenty-first century without orchestras would be very bleak indeed.
THE CAST
CANON AIRLIE
Non-executive director of the Rutminster Symphony Orchestra (RSO), a silly old fossil, constantly campaigning for better behaviour.
ALBERTO
The unsalubrious landlord of the Red Parrot Hotel, Bogotá.
AMBROSE
Principal guest conductor, RSO, known as the ‘fat controller’ — a bitchy old queen.
