CHAPTER II

Five Letters

From Miss Agatha Troy to her friend, Miss Katti Bostock, the well-known painter of plumbers, miners and Negro musicians:


S.S. Niagara,

August 1st.

Dear Katti,

I am breaking this journey at Quebec, so you’ll get this letter about a fortnight before I get home. I’m glad everything is fixed up for next term. It’s a bore in some ways having to teach, but now I’ve reached the giddy heights of picking and choosing I don’t find it nearly so irksome. Damn’ good of you to do all the arranging for me. If you can, get the servants into the house by Sept. 1st — I get back on the 3rd — they ought to have everything fixed up by the 10th, when we start classes. Your air-mail reached Suva the day we sailed. Yes, book Sonia Gluck for model. The little swine’s beautiful and knows how to pose as long as she behaves herself. You yourself might do a big nude for the Group Show on the 16th or thereabouts. You paint well from the nude and I think you shouldn’t remain wedded to your plumbers — your stuff will get static if you don’t look out. I don’t think I told you who is coming next term. Here is the list:

(1) Francis Ormerin. He’s painting in Paris at the moment, but says the lot at Malaquin’s has come all over surrealist and he can’t see it and doesn’t want to. Says he’s depressed about his work or something.

(2) Valmai Seacliff. That’s the girl that did those dabby Rex Whistlerish posters for the Board of Trade. She says she wants to do some solid work from the model. Quite true, she does; but I rather fancy she’s on the hunt.

(3) Basil Pilgrim. If I’m not mistaken, Basil is Valmai’s quarry. He’s an Hon., you know, and the old Lord Pilgrim is doddering to the grave. He’s the “Peer that became a Primitive Methodist” a few years ago — you remember.



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