The Belle got hold of it and decided I must be a real artist after all. When she saw the reproduction of the Royal portrait she laid her ears back and settled down to a steady pursuit. Wouldn’t it be just wonderful if I did a portrait of her before we got to Honolulu? Her poppa would be tickled to death. She changed her clothes six times a day and struck a new attitude whenever she caught my eye. I had to pretend I’d got neuritis in my hand, which was a curse, as I rather wanted to do a head of one of the other passengers — a very paintable subject with plenty of good bone. However, I got down to it after Honolulu. The subject is a detective and looks like a grandee. Sounds like it, too — very old-world and chivalrous and so on. Damn! that looks like a cheap sneer, and it’s not meant to. I’m rather on the defensive about this sleuth — I was so filthily rude to him, and he took it like a gent and made me feel like a bounder. Very awkward. The head is fairly successful.

Well, Katti, old lady, we meet on the 3rd. I’ll come straight to Tatler’s End. Best Love.

Your ever,

Troy.

P.S. — Perhaps you’d better give Garcia a shakedown in the studio and lock him in. We’ll hope he’ll have gone by the 20th.

Katti Bostock to Agatha Troy.

Tatler’s End House,

Bossicote,

Bucks.

August 14th.

Dear Troy,

You are a gump to collect these bloodsuckers. Yes, I know Garcia is damn’ good at sculping, but he’s a nasty little animal, and thinks everyone else is born to keep him. God knows how much he’s got out of you already. All right, I’ll shut him up in the studio, but if he’s after Sonia or anyone else, he’ll crawl out by the ventilator. And if you imagine you’ll get rid of him before the 20th, you’re wandering. And who in the name of Bacchus is this Australian blight? You’re paying his fare Home, of course.