
In Expendable, Oar was forty-five… on the verge of her race’s customary "senility."
Now she’s four years older.
From Festina Ramos:
I met Oar beside a moonlit lake, just after dusk on the day I had murdered my best friend. She was tall, sad, and impossibly beautiful: like an Art Deco figurine molded from purest crystal.
Yes — she was made of glass. Looking through her, I could see the beach, the moon, the world… focused through a woman-shaped lens.
When I think about her, I can’t help perceiving her glass body as a metaphor. She was, for example, transparent as glass emotionally. When she was angry, she raged; when frightened, she trembled; when lonely, she wept. She was as open as a child… and people who didn’t know her often dismissed her as childish, unintelligent, bratty. Oar was none of those things — she was a fully grown woman with an intelligence high off the scales (she learned fluent English in just a few weeks), and her constant claims of superiority to us "opaque persons" weren’t arrogant but heartbreaking: an attempt to convince herself she had some value in the universe.
Like glass, she was fragile. Not physically, of course: she was damned near unbreakable, and immune to disease, drowning, even starvation (she could photosynthesize energy from the weakest light sources). She was strong too — fast and agile. But mentally, Oar was ready to shatter. Thousands of years ago, her kind was created by unknown aliens in mimicry of Homo sapiens… but due to a design flaw (accidental or deliberate), the glass race always suffered mental shutdown by age fifty. First, a tendency to boredom; then, a growing listlessness; finally, a descent into torpor, a sleep that could only be broken by the most extreme measures and then only for a few minutes before senility crept back in.
