That is the first sentence in The Antiquary—not an exciting sentence, but it gives us the time, the place, and a young man—it sets the story-teller's scene. We feel a moderate interest in what the young man will do next. His name is Lovel, and there is a mystery about him. He is the hero or Scott would not call him genteel, and he is sure to make the heroine happy. He meets the Antiquary, Jonathan Oldbuck. They get into the coach, not too quickly, become acquainted, Lovel visits Oldbuck at his house. Near it they meet a new character, Edie Ochiltree. Scott is good at introducing fresh characters. He slides them very naturally, and with a promising air. Edie Ochiltree promises a good deal. He is a beggar—no ordinary beggar, a romantic and reliable rogue, and will he not help to solve the mystery of which we saw the tip in Lovel? More introductions: to Sir Arthur Wardour (old family, bad manager); to his daughter Isabella (haughty), whom the hero loves unrequited; and to Oldbuck's sister Miss Grizzle. Miss Grizzle is introduced with the same air of promise. As a matter of fact she is just a comic turn—she leads nowhere, and your story-teller is full of these turns. He need not hammer away all the time at cause and effect. He keeps just as well within the simple boundaries of his art if he says things that have no bearing on the development. Tne audience thinks they will develop, but the audience is shock-headed and tired and easily forgets.