“Which theater?” she said.

“Grauman’s Chinese,” I said, thinking, This is no time for a high-entropy state.

“Which theater?”

I looked up at the marquee. Benji IX was showing in all three theaters, the huge main theater and the two smaller ones on either side. “They’re doing audience-reaction surveys,” Kimberly said. “Each theater has a different ending.”

“Which one’s in the main theater?”

“I don’t know. I just work here part-time to pay for my organic breathing lessons.”

“Do you have any dice?” I asked, and then realized I was going about this all wrong. This was quantum theory, not Newtonian. It didn’t matter which theater I chose or which seat I sat down in. This was a delayed-choice experiment, and David was already in flight. “The one with the happy ending,” I said.

“Center theater,” she said.

I walked past the stone lions and into the lobby. Rhonda Fleming and some Chinese wax figures were sitting inside a glass case next to the door to the restrooms. There was a huge painted screen behind the concessions stand. I bought a box of Raisinets, a tub of popcorn, and a box of jujubes and went inside the theater.

It was bigger than I had imagined. Rows and rows of empty red chairs curved between the huge pillars and up to the red curtains where the screen must be. The walls were covered with intricate drawings. I stood there, holding my jujubes and Raisinets and popcorn, staring at the chandelier overhead. It was an elaborate gold sunburst surrounded by silver dragons. I had never imagined it was anything like this.

The lights went down, and the red curtains opened, revealing an inner curtain like a veil across the screen. I went down the dark aisle and sat in one of the seats. “Hi,” I said, and handed the Raisinets to David.