
A. F-G
ONEI am afraid my father's account of his Gallic Wars is among the dullest books ever written. I remember, Gaius, how your tutor once expressed indignation when you complained of its tedium. But you were quite right though it seemed to me then inexpedient to admit as much, and I only suggested to your tutor that he make due allowance for the ardour of youth. One reason why it is unsatisfactory is Caesar's pompous tone, and this owes much to his unfortunate decision to write of himself in the third person: 'Caesar did this, Caesar did that, Caesar acted to save the situation…'; it grows more wearisome and seems even more self-admiring than the perpetual 'I' of autobiographers.
Then that much-praised first sentence: 'All Gaul is divided into three parts', has really only the single virtue of lucidity. It is far from accurate, for the divisions of Gaul are more numerous and much deeper than he suggests.
In fact the book is fundamentally untruthful. Not surprising; it was written for an immediate political purpose – when did a manifesto ever speak the truth? The Triumvirate formed by Caesar, Pompey and Crassus had broken up. Caesar's enemies in Rome were baying for his blood and demanding his recall. He appealed to public opinion with this vainglorious account of his Gallic conquests: he would show them what he had done for Rome. It worked. Even the dullness of which you complained was deliberate; many had thought Caesar flashy; now they should be soothed by the impressive sobriety of his prose.
So, my dear Gaius, and Lucius, too, (for I cannot imagine your tender imagination responded to Caesar's prose, though you would be too mild and mannerly to complain) your early criticism was justified. 'On the spot', as you would say yourself. It has always seemed to me an example of how not to write your memoirs. There is no personal voice. What you hear is an actor. Of course it's also true that Julius Caesar was always acting: the real Caesar, if he existed by the time I knew him, was buried deep beneath layers of artifice. Still, most of the parts he chose to play were livelier and wittier than the role he wrote for himself in his 'Gallic War'.
