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James

Music is my life.

I read all the brochures for the Thornking-Ash School of Music before I applied. The brochures said the school would nurture our already promising musical abilities. They promised to challenge us academically. The brochures whispered tales of us emerging from high school as multitalented super-teens sporting academic skills, who would slay Ivy League applications with a single thrust of our extracurriculars.

At the time, I thought--cool. And plus, Deirdre was going, so I had to.

But that was before I actually went. Once I got there, I found out that school is school is school, as Margaret Thatcher would say. Six or half a dozen. Of course, I'd only been at Thornking-Ash for seven days, so maybe I wasn't giving it enough time. But patience was not really my strong suit. And frankly, I just didn't see how taking a few music theory classes and sleeping in a dorm room was supposed to make us any different from regular high-schoolers.

I'd probably have felt differently if I played the damn cello or something, because then I could be in one of the eight million performance groups on campus. When people said "musician," they never seemed to mean "bagpiper." If I heard the phrase "folk musician" one more time, I was going to hit someone.

Anyway, on days one through six, we (my fellow class men and I) got "orientated." We learned where all our classes were, the names of our teachers, when meals were served in the dining hall, and that the door to the fourth floor of my dorm stuck. By day five, I knew what I was doing. By day six, it was second nature.

By day seven, I was bored. On that seventh evening, I sat in my brother's car and listened to music served angry with a side dish of longing. I had read somewhere that scientists had done a study where they played rock music and classical music to two different sets of rats. I don't remember the details, but after a couple weeks of the study, the classical music rats were peacefully climbing the corporate ladder and wearing



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