Peter David

BATTLESHIP

Based on the screenplay by Erich Hoeber and Jon Hoeber

SOME YEARS AGO

“Miss.”

The two brothers are in the forest near their house, sitting opposite each other. They are both quite young, although the big brother has felt very old for a long time—because he is the older brother, and as such has many important responsibilities. The most vital of these, as far as he is concerned, is to make sure that his kid brother remembers who’s boss.

It is the younger brother’s greatest failing that he never seems to remember that.

The older brother is sitting on a log, allowing him to look down upon his brother. This is, as far as he is concerned, what should be the natural state of things, the proper order of the universe. The younger brother is seated across from him, cross-legged on the ground, getting his pants filthy from sitting in the dirt and not caring about it. It is a crisp day and they’re both wearing light hoodies: the older brother’s is white, the younger’s is red.

They both have pads of lined paper on their laps, playing a game their father taught them called “Broadsides.” They’ve used pencils to draw vertical lines intersecting with the horizontal ones and thus created grids, which they’ve then numbered. They’re using the pads to have a simulated naval battle. It’s natural that their father, a Navy man himself, would teach them how to play it, and claims to have played it when he himself was young.

It is the older brother who has just said “Miss,” and the younger brother’s eyebrows both leap up on his forehead as if they’ve come loose and are endeavoring to make a run for it.

“Whattaya mean, ‘miss,’” says the younger brother in irritation.

“It’s like a hit, but the opposite,” the older brother says.



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