“It’s still good to see you, Kate.”

“Spare me, Tom.”

I see the hurt in his face and now I feel bad. Mary, mother of God! What is it with me? After five years together, he breaks up with me ON THE PHONE, and now I feel bad.

The whole thing has me so contorted, I want to run out into the street and scream like a crazy person.

But of course I don’t. Not good girl Kate Costello. I stand there with a dim-witted little smile plastered on my face, as if we have been enjoying innocuous pleasantries, and finally, he turns away.

Then I take a deep breath, give myself a stern talking-to about the need to get over myself, and wait my turn to offer some consoling words to the thousand-times-more-wretched Mary Walco.

One strange and disturbing thing: I hear virtually the same line half a dozen times while I’m standing there waiting to see Mary-Somebody’s got to get those bastards for this.

Chapter 18. Kate

I OFFER WALCO’S mom the little that I can, and then I cast about the room for a red-haired toddler in a black velvet dress.

I see MC in the corner, still with her mom, and then spot my precious pal Macklin Mullen and his handsome grandson Jack over by the makeshift bar. Jack, a lawyer like myself, wanders off as I approach. Okay, fine. I was going to congratulate him on getting married, but whatever.

Mack is sipping a whiskey and leaning heavily on a gnarled black-thorn shillelagh, but when we throw ourselves into each other’s arms, his embrace is as warm and vigorous as ever.

“I was fervently hoping that would never end, Katie,” he says when we finally release each other.



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