
TWO
LEISHA’S EARLIEST MEMORY was flowing lines that were not there. She knew they were not there because when she reached out her fist to touch them, her fist was empty. Later she realized that the flowing lines were light: sunshine slanting in bars between curtains in her room, between the wooden blinds in the dining room, between the crisscross lattices in the conservatory. The day she realized the golden flow was light she laughed out loud with the sheer joy of discovery, and Daddy turned from putting flowers in pots and smiled at her.
The whole house was full of light. Light bounded off the lake, streamed across the high white ceilings, puddled on the shining wooden floors. She and Alice moved continually through light, and sometimes Leisha would stop and tip back her head and let it flow over her face. She could feel it, like water.
The best light, of course, was in the conservatory. That’s where Daddy liked to be when he was home from making money. Daddy potted plants and watered trees, humming, and Leisha and Alice ran between the wooden tables of flowers with their wonderful earthy smells, running from the dark side of the conservatory where the big purple flowers grew to the sunshine side with sprays of yellow flowers, running back and forth, in and out of the light. “Growth,” Daddy said to her, “flowers all fulfilling their promise. Alice, be careful! You almost knocked over that orchid!” Alice, obedient, would stop running for a while. Daddy never told Leisha to stop running.
