She needed to get up from there, go downstairs and piece it all back together. This house he told her to leave as though a house was a little thing-a shirtwaist or a sewing basket you could walk off from or give away any old time. She who had never had one but this one; she who left a dirt floor to come to this one; she who had to bring a fistful of salsify into Mrs. Garner's kitchen every day just to be able to work in it, feel like some part of it was hers, because she wanted to love the work she did, to take the ugly out of it, and the only way she could feel at home on Sweet Home was if she picked some pretty growing thing and took it with her. The day she forgot was the day butter wouldn't come or the brine in the barrel blistered her arms.

At least it seemed so. A few yellow flowers on the table, some myrtle tied around the handle of the flatiron holding the door open for a breeze calmed her, and when Mrs. Garner and she sat down to sort bristle, or make ink, she felt fine. Fine. Not scared of the men beyond. The five who slept in quarters near her, but never came in the night. Just touched their raggedy hats when they saw her and stared. And if she brought food to them in the fields, bacon and bread wrapped in a piece of clean sheeting, they never took it from her hands. They stood back and waited for her to put it on the ground (at the foot of a tree) and leave. Either they did not want to take anything from her, or did not want her to see them eat. Twice or three times she lingered. Hidden behind honeysuckle she watched them. How different they were without her, how they laughed and played and urinated and sang. All but Sixo, who laughed once-at the very end. Halle, of course, was the nicest. Baby Suggs' eighth and last child, who rented himself out all over the county to buy her away from there. But he too, as it turned out, was nothing but a man.