
Robert Cormier
Beyond the Chocolate War
Part One
Ray Bannister started to build the guillotine the day Jerry Renault returned to Monument.
There was no connection between the two events. In fact, Ray Bannister didn't even know Jerry Renault existed. The truth of the matter is that Ray began to construct the guillotine out of sheer boredom. More than boredom: loneliness, restlessness. He was a newcomer to Monument and to Trinity High. He hated both — well, maybe hate was too strong a word, but he had found Monument to be a dull and ugly mill town of drab tenement houses and grim factories, with no class at all, a terrible contrast to Caleb, the resort village on Cape Cod where he'd grown up with beach sand between his toes and salt spray stinging his cheeks. Trinity was a suffocatingly small school, filled with guys who were suspicious of strangers or, at the very least, unfriendly. The Headmaster and the teachers were brothers, those strange people who wore stiff white collars but weren't quite priests and yet weren't quite like ordinary men. Ray's father insisted that brothers made the ideal teachers, dedicated and loyal to education. They have nothing to distract them, his father said. They don't have to worry about earning a big salary — the Order takes care of all their needs — and they don't have wives or children to support, except maybe a girl friend or two in these crazy, liberal times. That last remark was supposed to pass for wit: Ray Bannister's father was renowned for his wit at cocktail parties, but Ray, frankly, didn't find him amusing at all. Particularly since he'd accepted the company promotion that meant a transfer from the Cape to this rotten city in the middle of New England.
Ray had always been a loner, even on the Gape, where he had spent long hours roaming the beaches and dunes or sailing his beloved skiff in the warm waters south of Caleb. In a fit of disgust and disillusionment, he'd practically given his boat away, sold it for a quarter of its worth to Joe Scerra, his best friend in Caleb. Ray had built the boat himself, lovingly, knew every section and area of its surface just as he knew the tone and texture of his own body.
