
Enameling paid well, and he needed the money bad. But this wasn't real bike work. It lacked authenticity. Enameling was all about the owner's ego -- that was what really stank about enameling. There were a few rich kids up in the penthouse levels who were way into "street aesthetic," and would pay good money to have some treadhead decorate their machine. But flash art didn't help the bike. What helped the bike was frame alignment and sound cable-housings and proper tension in the derailleurs.
Lyle fitted the chain of his stationary bike to the shop's flywheel, straddled up, strapped on his gloves and virching helmet, and did half an hour on the 2033 Tour de France. He stayed back in the pack for the uphill grind, and then, for three glorious minutes, he broke free from the domestiques in the peloton and came right up at the shoulder of Aldo Cipollini. The champion was a monster, posthuman. Calves like cinderblocks. Even in a cheap simulation with no full-impact bodysuit, Lyle knew better than to try to take Cipollini.
Lyle devirched, checked his heart-rate record on the chronometer, then dismounted from his stationary trainer and drained a half-liter squeezebottle of antioxidant carbo refresher. Life had been easier when he'd had a partner in crime. The shop's flywheel was slowly losing its storage of inertia power these days, with just one zude pumping it.
Lyle's disastrous second roommate had come from the biking crowd. She was a criterium racer from Kentucky named Brigitte Rohannon. Lyle himself had been a wannabe criterium racer for a while, before he'd blown out a kidney on steroids. He hadn't expected any trouble from Brigitte, because Brigitte knew about bikes, and she needed his technical help for her racer, and she wouldn't mind pumping the flywheel, and besides, Brigitte was lesbian. In the training gym and out at racing events, Brigitte came across as a quiet and disciplined little politicized treadhead person.
