A London cop, his blue uniform a dingy shade of gray from concrete dust that lay thick on his shoulders, stood in the middle of the road and blew his whistle, holding up his hands as an ambulance passed cars on the other side of the blocked street. Traffic was already at a dead stop, but the pedestrians halted immediately, the murmur of movement and morning conversations stopped by the end of the shrill whistle blast. People parted and formed a narrow corridor as three stretchers were carried out of the destroyed building. Two held blanketed, inert forms. The third carried a person covered in soot highlighted by rust-colored dried blood along a leg and a hasty bandage wrapping a head. A thin female arm rose from the stretcher with two fingers raised in the V-for-victory sign as she was gingerly carried into the ambulance. There were murmurs of appreciation from the crowd, and then they drifted back into their morning routine. Another day at the war. The other two stretchers were left on the sidewalk for a journey to a different destination.

“Welcome to London,” Harding said as the traffic moved forward.

“Yes, sir.” Maybe I wouldn’t wave those sawbucks around for a while.

The river was the Thames. We crossed it on a bridge that showed off a scene I had seen on dozens of newsreels as I waited for the main feature to start. Parliament and Big Ben. London, under the gun. I could almost hear Edward R. Murrow saying, “This… is London” over the radio in our living room, that pause always giving a sense of weighty suspense as he reported on the Blitz and other war news. Now I was here. It didn’t seem real, as if my being here somehow lessened the importance of everything.

The rain had stopped, and the clouds were turning from threatening gray to puffy white. Harding zipped past Big Ben as the clock struck the half hour with that distinctive, authoritative bong that sounded so much louder than it had in the newsreels.