After we hand our passports over for inspection and pick up our bags we are sent in lines to wait for the dog. I sit on my suitcase and pick at the amoebic blob swelling on my wrist. A German shepherd appears, mangy and fierce. He is straining at his leash. He sniffs first one suitcase, then another, then a backpack. The dog comes up to me and shoves his nose into my crotch. Two policemen laugh.

Even inside the terminal it is hot and the sunlight rushing through the windows is fierce and I feel something dangerous beyond the mosquitoes in the swelter about me. I wonder what the hell I am doing in Belize but then I feel the weight of my briefcase in my hand and remember about the hundred million dollars and its story, a story of betrayal and revenge, of intrigue and sex and revelation, a story of murder and a story of redemption and a story of money most of all. Suddenly I know exactly what I am doing here and why.

2

IT STARTED FOR ME with a routine job in the saddest little room in all of Philadelphia. Crowded with cops and shirt-sleeved lawyers and court clerks and boxes of files, a dusty clothes rack, a computer monitor with plastic wood trim and vacuum tubes like something out of Popular Mechanics circa 1954, it was a room heavy with the air of an exhausted bureaucracy. I was sitting alone on the lawyers’ bench inside that room, waiting for them to drag my client from the holding cells in the basement. My job that morning was to get him out on a reasonable bail and, considering what he was being charged with, that wasn’t going to be easy.

I was in the Roundhouse, Philadelphia Police Headquarters, a circular building constructed in the sixties, all flowing lines, every office a corner office, an architectural marvel bright with egalitarian promise.