There was about Hakeem Trell a.k.a. Roger Pettibone a.k.a. Skip Dong the defiant annoyance of a high school student facing nothing more serious than an afternoon’s detention. Where was the anxiety as he faced imprisonment, the trembling fear at the rent in his future? What had we done to these children? My client wasn’t in the batch they had just brought up and so I was forced to sit impatiently as Commissioner Pauling preliminarily arraigned Hakeem Trell and then Luis Rodriguez and then Anthony O’Neill and then Jason Lawton and then and then and then, one after another, young kids almost all, mainly minority, primarily poor, or at least dressing that way, all taking it in with a practiced air of hostility. Spend enough time in the Roundhouse’s Municipal Court and you begin to feel what it is to be an occupying power.

“Sirs, please sit down, you can’t stand back there,” shouted the bailiff and two men in the gallery arranged themselves on one of the forward benches, sitting right in front of the young blonde woman, who shifted to a different bench to maintain her view of the proceedings.

I recognized both of the men. I had been expecting them to show, or at least some men like them. One was huge, wearing a shiny warm-up suit, his face permanently cast with the heavy lidded expression of a weightlifter contemplating a difficult squat thrust. I had seen him around, he had grunted at me once. The other was short, thin, looking like a talent scout for a cemetery. He had the face and oily gray hair of a mortician, wearing the same black suit a mortician might wear, clutching a neat little briefcase in his lap. This slick’s name was Earl Dante, a minor mob figure I had met a time or two before. His base of operations was a pawnshop, neatly named the Seventh Circle Pawn, on Two Street, south of Washington, just beyond the Mummers Museum, where he made his piranha loans at three points a week and sent out his gap-toothed collectors to muscle in his payments. Dante nodded at me and I contracted the sides of my mouth into an imitation of a smile, hoping no one noticed, before turning back to the goings on in the court.



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