Moreover, a voice issued from it — a low subtle inhuman sibilance that was more like the soft abominable hissing of a serpent than anything else, and that apparently could not emanate from anything with human lips. Its sound as well as its import filled Yasmela with a shuddering horror so intolerable that she writhed and twisted her slender body as if beneath a lash, as though to rid her mind of its insinuating vileness by physical contortion.

"You are marked for mine, princess," came the gloating whisper. "Before I wakened from the long sleep I had marked you, and yearned for you, but I was held fast by the ancient spell by which I escaped mine enemies. I am the soul of Natohk, the Veiled One! Look well upon me, princess! Soon you shall behold me in my bodily guise, and shall love me!"

The ghostly hissing dwindled off in lustful titterings, and Yasmela moaned and beat the marble tiles with her small fists in her ecstasy of terror.

"I sleep in the palace chamber of Akbatana," the sibilances continued. "There my body lies in its frame of bones and flesh. But it is but an empty shell from which the spirit has flown for a brief space. Could you gaze from that palace casement you would realize the futility of resistance. The desert is a rose garden beneath the moon, where blossom the fires of a hundred thousand warriors. As an avalanche sweeps onward, gathering bulk and momentum, I will sweep into the lands of mine ancient enemies. Their kings shall furnish me skulls for goblets, their women and children shall be slaves of my slaves' slaves. I have grown strong in the long years of dreaming . . .

"But thou shalt be my queen, oh princess! I will teach thee the ancient forgotten ways of pleasure. We—" Before the stream of cosmic obscenity which poured from the shadowy colossus, Yasmela cringed and writhed as if from a whip that flayed her dainty bare flesh.