Paha Sapa loses sight of the red-haired boy’s one-eyed corpse and is now looking up at the kneeling warrior.

—Black Hills? Are you shot?

The kneeling warrior is slender and paler of skin than most Lakota and has gone into battle as naked as the heyoka he is, wearing only a breechclout and moccasins, his hair tied simply into two long braids and sporting a single white feather. The lean man’s body paint consists only of hailstones and a lightning streak, reinforcing the first impression that the thin man is indeed a living lightning conductor, a heyoka, one of the receiver-of-visions warrior-protectors who dares to stand between Paha Sapa’s people, the Natural Free Human Beings, and the full fury of the Thunder Beings.

Then, blinking, Paha Sapa notices the pebble behind the man’s ear and the narrow but livid scar stretching back from his left nostril—an old bullet wound, inflicted at point-blank range by a jealous husband, a scar that has left this heyoka warrior’s lips slightly curled up on the left side, suggesting more grimace than smile—and Paha Sapa realizes that this is T’ašunka Witko, Crazy Horse, cousin to Limps-a-Lot’s first wife.

Paha Sapa tries to answer Crazy Horse’s query, but the ghost’s pressure in his chest and throat allows only choking noises to emerge. Just the slightest trickle of air reaches Paha Sapa’s burning lungs. Even as he tries again to speak, he realizes that he must look like a fish gaping and gasping on a riverbank, mouth wide, eyes protruding.

Crazy Horse grunts in contempt or disgust, stands, and leaps onto his pony’s back in a single graceful motion, his rifle still in his hand, then rides away with his followers shouting behind him.