A couple of blocks up the street, he found what he was looking for. A prefab twice the size of the units around it, leaking the bloodbeat and huayno remix through shuttered windows and a double door wedged back. The walls were stickered with peeling publicity for local bands, and the open door space was bracketed by two loopview panels showing some Lima ad agency’s idea of Caribbean nightlife. White sand beach and palm trees by night, party lights strung. Bikini-clad criolla girls gripped beer bottles knowingly and pumped their hips to an unheard rhythm alongside similarly European-looking consorts. Outside of the band—jet-muscled and cavorting gaily in the background, well away from the women—no one had skin any darker than a glass of blended Scotch and water.

Carl shook his head bemusedly and went inside.

The bloodbeat was louder once he got in, but not unbearable. The roof tented at second-story height, nothing but space between the plastic rafters, and the music got sucked up there. At a corner table, three men and a woman were playing a card game that required calls, apparently without any trouble tracking one another’s voices. Conversation at other tables was a constant murmur you could hear. Sunlight fell in through the doorway and shutters. It made hard bars and blocks on the floor but didn’t reach far, and if you looked there directly then looked away, the rest of the room seemed dimly lit by comparison.

At the far end of the room, a boomerang-angled bar made from riveted tin sections held up half a dozen drinkers. It was set far enough back from the windows that the beer coolers on the wall behind glowed softly in the gloom. There was a door set in the wall and propped open on an equally dimly lit kitchen space, apparently empty and not in use. The only visible staff took the form of a dumpy indigena waitress slouching about between the tables, collecting bottles and glasses on a tray. Carl watched her intently for a moment, then followed her as she headed back toward the bar.