Of course we were not alone. Some witnesses sat in the vast plaza, the everyday Italians of Turin, sipping their drinks at little tables under distant, elegant umbrellas. They were sensibly minding their own business. A few were gazing puzzled at the rich blue evening sky, as if they suspected some passing sonic boom. Certainly none of them cared about us.

We limped back toward the cafe. My shoes squeaked like the shoes of a bad TV comedian. The cobbles under our feet had broken and tumbled, and the seams of my shoes had gone loose. My shining patent-leather shoes were foul and grimy.

We stepped through the arched double-doors of the Elena, and, somehow, despite all sense and reason, I found some immediate comfort. Because the Elena was the Elena: it had those round marble tables with their curvilinear legs, those maroon leather chairs with their shiny brass studs, those colossal time-stained mirrors… and a smell I hadn’t noticed there in years.

Cigarettes. Everyone in the cafe was smoking. The air in the bar was cooler-it felt chilly, even. People wore sweaters.

Massimo had friends there. A woman and her man. This woman beckoned us over, and the man, although he knew Massimo, was clearly unhappy to see him.

This man was Swiss, but he wasn’t the jolly kind of Swiss I was used to seeing in Turin, some harmless Swiss banker on holiday who pops over the Alps to pick up some ham and cheese. This Swiss guy was young, yet as tough as old nails, with aviator shades and a long narrow scar in his hairline. He wore black nylon gloves and a raw canvas jacket with holster room in its armpits.

The woman had tucked her impressive bust into a hand-knitted peasant sweater. Her sweater was gaudy, complex and aggressively gorgeous, and so was she. She had smoldering eyes thick with mascara, and talon-like red painted nails, and a thick gold watch that could have doubled as brass knuckles.