Without warning, a wave of nausea rolls through my stomach. I try to tell myself it’s alcohol withdrawal, but deep down I know better. It’s panic. Pure terror at the idea of giving up Sean and being alone. Don’t think about it, says a shaky voice inside me. In two minutes you’re onstage. Think about the case“¦

As I decelerate down the interstate ramp to the surface streets at St. Charles Avenue, my cell phone rings out the opening notes to U2’s “Sunday, Bloody Sunday.” I know without looking that it’s Sean.

“Where are you?” he asks.

I’m still fifteen blocks from the stately Victorian houses of Prytania Street, but I need to calm Sean down. “A few blocks from the scene.”

“Good. Can you handle your gear okay?”

My dental case weighs thirty-one pounds fully loaded, and tonight I’ll also need my camera case and tripod. Maybe Sean is hinting that I should ask him outside to help me. This would give him an excuse for a private talk before we find ourselves together in front of others. But a private talk is the last thing I want tonight.

“I’ve got it,” I tell him. “You sound strange. What’s going on down there?”

“Everybody’s uptight. You know the history.”

I do. There have been three serial murder cases in the New Orleans-Baton Rouge area in as many years, and serious investigative mistakes were made in all of them.

“We got some Sixth District detectives down here,” Sean goes on, “but the task force has taken over the scene. We’ll be running our investigation out of headquarters, just like the others. Captain Piazza’s already busting my balls.”

Carmen Piazza is a tough, fiftysomething Italian-American woman who came up through the ranks of the detective bureau and is now the Homicide Division commander. If anyone ever fires Sean for his involvement with me, it will be Piazza. She likes Sean’s record of arrests, but she thinks he’s a cowboy. And she’s right. He’s a tough, devilish Irish cowboy. “Does she suspect anything about us?”